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The Haslemere Manuscript, Pieces and Lute Sonatas | Volume V
The Haslemere Manuscript, Pieces and Lute Sonatas | Volume V
SKU:LLDE0016
• Composer(s): Johann Michael Kühnel (c.1665–c.1725)
• Title: The Haslemere Manuscript
• Subtitle: Pieces and Lute Sonatas
• Year of publication: c.1750–1780
• Source: GB-HAdolmetsch Ms II.B.2
• Volume: V
• Scholarly edition based on original sources
• Accurate transcriptions, historical fingering, optimal readability
• Ideal for concerts, research, or higher education
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A Forgotten German Instrumental Voice
Preserved in the Carl Dolmetsch Library, this anonymous eighteenth-century manuscript contains works attributed to Johann Michael Kühnel, a still little-known figure in German instrumental music.
This fifth volume unveils pieces for twelve- or thirteen-course lute, situated between contrapuntal rigor and the emerging galant style. Edition prepared by Jean-Daniel Forget and Guy Grangereau.
Product Details
Overview
The Haslemere Manuscript – Volume V: Works by Kühnel
Preserved in the Carl Dolmetsch Library in England, The Haslemere Manuscript contains lute tablatures in D minor, most likely copied in the eighteenth century by a lutenist from Dresden or Prague. The pieces, often grouped by key, include both anonymous and attributed works, without consistent indications of suites or sonatas.
Acquired in the twentieth century by Arnold Dolmetsch, a pioneer in the rediscovery of early instruments, this manuscript reflects the transition to the twelve- or thirteen-course lute in Central Europe. Edition prepared by Jean-Daniel Forget and Guy Grangereau.
Johann Michael Kühnel (c.1665–c.1725)
A German composer active between the late seventeenth and early eighteenth centuries, Johann Michael Kühnel is regarded as a forerunner of the galant style. Trained in Germany and influenced by French music, he worked at the courts of Darmstadt and Saxony-Weissenfels. His œuvre includes suites for viola da gamba and chamber music, blending strict counterpoint with melodic elegance. His role in the development of German instrumental music remains to be fully rediscovered.
Editors
Jean-Daniel Forget – IT Specialist, Lutenist
Passionate about the Baroque repertoire, Jean-Daniel Forget is a self-taught lutenist who has been copying and disseminating early manuscripts for nearly twenty years. A computer professional by training, he is proficient in music notation software adapted for tablature. In collaboration with Guy Grangereau, he provides access to tablatures on a dedicated website. He also assisted Miguel Serdoura in the preparation of his editions and his Method for Baroque Lute.
Guy Grangereau – Guitarist, Lutenist
A professional musician, Guy Grangereau studied guitar in Paris with Turibio Santos before pursuing further training at the Martenot school. After teaching for twenty years, he now performs on a 16-course hybrid instrument and a theorboed Baroque lute. Since 2010, he has collaborated with Jean-Daniel Forget in copying and editing Baroque manuscripts, notably focusing on the works of Silvius Leopold Weiss.
Urtext Editions
Le Luth Doré Urtext Editions
Le Luth Doré Urtext Editions offer scores faithful to historical sources, optimized for musicians and musicologists. Our editions combine careful engraving, practical layout, durable materials, and detailed critical apparatus in multiple languages.
Each text is rigorously established note by note to ensure an authentic restitution of the works, including original fingerings and ornamentations, as well as relevant stylistic suggestions.
Created by experts, our editions provide clear readability and enlightened interpretation of early music repertoire.
Technical Details
• Editor(s): Jean-Daniel Forget & Guy Grangereau
• Musical period: Baroque
• Instrument(s): 11c/13c Baroque Lute
• Instrumentation: Solo Baroque Lute
• Notation: French Tablature
• Modern edition: Urtext
• Publisher: Le Luth Doré Urtext Editions
• Year of publication: 2015
• Collection: Lute and Theorbo Music Collection
• Pages: 26 pp.
• Dimensions: 230×310 mm
• Weight: 0.320 kg
• Binding: Sewn perfect binding
• ISMN: 377-0-0017-8816-6
Table of Contents
9 pieces in G major
Allegro (Kühnel)
Bourrée (Kühnel)
Minuet (Kühnel)
Trio
Rondeau
Sarabande (Kühnel)
Courante
Gigue (Kühnel)
Courante (Kühnel)
Gigue in B-flat major
Gigue (Kühnel)
Press Reviews

Editions for Baroque Lute
Each volume is crafted as a work of editorial art: high-quality printing, notation faithful to original sources, dual tablature (French and Italian), and rigorous critical apparatus.
Designed for today’s lutenists, these urtext editions embody the precision and elegance inherent to the art of the lute.